
A jewel set in 30 acres
Reflections by Anthony Francis
Chadds Ford, well endowed with historic and cultural assets
that have given it a unique attraction and allure, is in the enviable position
of having yet another asset, still to be developed. It’s a diamond in the rough
on a prime piece of real estate and has its own claim to a place in local art
and history.
The township has owned what is known as “Howard Pyle’s
Studio” since 1976 but has no visible plan to implement the purpose for which it
was acquired. Succeeding boards of supervisors have taken no action to restore
the studio or develop its grounds for public use.
The two-story empty building is on about 30 acres, which
the township also owns, along Route 1 across from Washington’s Headquarters.
Once a grist mill, it was previously known as Turner’s Mill until it came into
disuse during the 1890s when Howard Pyle, an art teacher and painter, rented it
as an ideal site for his students during the summer. Pyle, who lived from 1853
to 1911, became one of the most influential illustrators of his time and is
credited with enriching the tradition of American illustration.
Besides his own credentials in the art world, the claim to
fame of the mill-turned-art-school is the fact that one of Pyle’s students was
the young N. C. Wyeth, who became a giant in the field of illustration and the
patriarch of the Wyeth family and its highly talented members. In addition,
critics say Pyle himself produced some of his best work during 1898-1903 when
his summer studio was on the second floor of the old mill. His students
occupied the first floor and in good weather moved their easels outside for
better light near a sycamore tree that still stands. Its trunk was recently
measured at 23 feet, 9 inches in circumference.
The old mill is now a hollow shell but its stone walls,
about 18 inches thick, are still sound according to architect John Milner, the
noted restorer of historic buildings. Records reveal that sometime during the
early part of the 1900s it was converted into a residence. The two floors and
roof of the mill-now-residence were burned out by a fire, date unknown, sometime
in the 1950s. The interior of the structure is “clean,” free of all debris,
which was removed after the blaze.
The gray walls rise about 35 feet from the dirt cellar
floor to their peak. Township (then Birmingham) supervisors thoughtfully
installed a new roof and boarded up doors and windows to keep out the weather.
Vines and brush were chopped away this year, revealing the structure’s
dimensions of about 30 by 40 feet.
Interest in Pyle’s studio, and the land around it, was
raised recently by several articles in The Chadds Ford Times, as well as by the
current exhibition at the Brandywine River Museum, which features works by Pyle
along with those of the Wyeths, N. C., Andrew and Jamie.
When the township bought the property 22 years ago, the
records state it was acquired “for use as a park, playground, recreation area,
and other public purposes.” A “Park and Recreation Board” was authorized but no
action was taken.
A possible use for Pyle’s studio was raised by James
Shipley, president of the Civic Association of Chadds Ford Township, in a report
to township supervisors at their Dec. 2 meeting. A crowd estimated at 100 to
150 residents who attended the association’s November meeting overwhelmingly
agreed that the present township hall was both “inadequate and unsafe,” Shipley
said.
Pyle’s studio could become an adequate and safe township
hall. Restoration could provide more than 1,000 square feet of space on each of
two floors. The land around it offers acres for parking, now limited and
regarded as unsafe at the present township hall on Station Way Road.
Whatever use may materialize, it will take a special group
to polish this diamond in the rough and to seriously plan for its public use.
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Anthony A. Frances, a retired journalist who has lived in
Chadds Ford for 30 years, is active in civic and political affairs in the
township. He has been a reporter, radio news broadcaster, writer, editor,
public relations executive and mass media expert for the federal government. He
worked in the United States and abroad.
The above article appeared in the Kennett Paper,
December 17-23, 1998. Reprinted with permission from the Kennett Paper. |